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Stephen King’s Mile 81

Stephen king Mile 81

Consider yourself a Good Samaritan? You may want to think twice the next time you see a car parked on the side of the road. It may be your last stop, or so the story goes in Stephen king’s novella Mile 81.

Has this ever happened to you? You saw someone broken down at the side of the road or the highway and you drove right by? How about a person crunched in a street corner with their head bowed crying with bloodstains on their clothing? Did you stop to help? How did you feel? Guilty? Guilt free? Did you ponder, “I could have saved a life” or did you think, “I just saved my life.” Stephen King’s Mile 81 explores this dichotomy and puts a nice twist on the Good Samaritan story. Keep in mind, though, that being nice to help your fellow man may cost you in more ways than you think. Find out how.

Are Murderers Victims Too? The Girl With The Dragon Tattoo Analysis

“My mother made me do it.”

No evidence of personal responsibility can be found in the previous sentence; rather it denotes an external control of actions and behaviours. How about,

“My family is messed up.”

Better yet,

“This is all I know, I don’t know any better.”

Are you getting a sense of personal responsibility yet?

How many times have you heard or uttered these statements and are quickly reminded to, “Take responsibility for your actions!”

What about murderers? Should they take responsibility for their actions? Should their family history weigh in?

Do murderers have a choice? Or are they created?

The novel The Girl With The Dragon Tattoo explores this debate.

Enter Lisbeth Salander:

Lisbeth Salander expresses no sympathy for people who kill regardless of their upbringing. According to Salander murder is a choice, no crime can be blamed on family dysfunction or society.

When referring to the murderer in The Girl With The Dragon Tattoo Lisbeth says, he “Had exactly the same opportunity as anyone else to strike back. He killed and raped because he liked doing it.” She also says, “You’re assuming that —— (character name excluded) had no will of his own and that people become whatever they’ve been brought up to be.”

Lisbeth brings up an important point to a debate that has been brewing for years. There are a lot of societal assumptions that claim if you have been abused or grew up in a dysfunctional family, you are bound to be involved in criminal or abusive behavior yourself. This idea is clearly refuted by Lisbeth, who herself had a dysfunctional upbringing and overcame abuse. She has been taught to constantly examine the consequences of her behavior and this enables her to make good choices. This is a reflection of the free will that Lisbeth has, she does not see actions as deterministic (or predetermined by upbringing). On the other hand…

Enter Mikael Blomkvist:

Mikael Blomkvist in contrast to Lisbeth Salander sees behavior as deterministic; that is actions have a cause-and-effect and are not determined by an expression of free will. Mikael feels sympathetic towards the murderer. He feels the murderer had no choice in what he became because of his dysfunctional family, as he states, “Talk about a dysfunctional family, Blomkvist said. —–(Character name excluded) really didn’t have a chance.”

Determinism vs. free will, what side did Stieg Larsson fall on? That answer may be found in the murderer himself. After all, who else is better suited to answer the question of the source of their actions than the murderer himself?

Blomkvist asks the murderer, “Why do you kill…?”

His response…

“It’s a choice that I made.”

Let’s revisit the earlier question again, are murderers victims too? They very well may be. But who hasn’t been a victim at one point in their life. Are you still able to exercise free will? Do you consider yourself a puppet of determinism? Does control of your life lie outside yourself?

Maybe the question shouldn’t be, are murderers victims too? Rather it should be, do murderers have free will?

And do you?

For more depth see: The Girl with the Dragon Tattoo.

Moral Dilemma Analysis of Gone Baby Gone by Dennis Lehane

Moral Dilemma


Your significant other is very sick and will die soon of an incurable disease, that is, until you found out that a pharmacist discovered a miracle drug that can cure him/her. Consequently, you visit the pharmacist and ask for the medication but he informs you that the drug will cost $10,000, unfortunately you only have $5,000 and the pharmacist will not lower the amount. You return home and think about your options; you can’t get a loan from anyone, and you have nothing to sell to raise money, so all of your options are exhausted and you become desperate.  One night you decide to break into the pharmacy and take the medication illegally.

Did you make the right decision? Discuss this dilemma with a friend or family member.

Did you feel torn when trying to decide if what you did was right or wrong? Could you come up with arguments that could support either decision? Did you feel no matter what decision you made it would be harmful? Did you and your friend or family member argue so passionately for opposing sides that you ignored each other for a bit thereafter?

This is what moral dilemmas do; they wrap you up in a tangled web of decision or indecision with either route causing pain.

This is  the dilemma that Patrick Kenzie, Angela Gennaro and the other characters in Gone Baby Gone faced.

Continue Reading…

Book Review: Gone Baby Gone by Dennis Lehane

What happens when wrong feels right and right feels wrong? When situations that appear to be black and white turn out gray? What do you do then? These are the decisions that Private Investigators Patrick Kenzie and Angela Gennaro have to grapple with in Gone, Baby, Gone (Harper Fiction). Patrick Kenzie himself realizes that, “Facades, no matter how well built, usually come down.”

Both investigators meet Helen McCready who reaches out to the public to find her missing daughter Amanda. It turns out that Helen and her boyfriend, “Skinny Ray” stole money from a drug lord, leading the investigators to believe that Amanda was taken as a ransom for the money. Following this lead, the investigators are taken down a road full of; twist and turns, drug dealers, guns and violence, and men who prey on children. Nothing is as it seems, and what is morally right and what is best, do not find common ground.

Make no mistake, this is not your run of the mill crime novel. In true Lehane fashion, you will be kept on the edge of your seat guessing what will happen next until the dust is clear and the “whodunnit” question is served up on a platter just in time for dinner.

The suspense of this novel is great, although it somewhat dragged on near the end by trying out too many possibilities, and twist and turns that had me screaming, “alright already whodunnit.” Facades form the premise of this novel and keep you flipping the pages to uncover the truth in the same way that Kenzie and Gennaro do.

Quotes that struck me throughout the novel:

“What if someone pretends to be one thing because society deems he must, but in reality he’s something else because he deems he must?”

Sometimes we do the right thing but it wouldn’t hold up in court. It wouldn’t survive the scrutiny of”–he made quotation marks with his fingers–”society.”

For my next post I am going to analyze how Dennis Lehane in Gone Baby Gone deals with the last question.

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